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Heavy metal is a way of life, but it is not for the faint of heart. The history of metallic is strewn with fading memories of bands that vicious apart when times were tough. Simply history is written by the victors, and Amon Amarth have been marching purposefully from triumph to greater triumph for the last two decades. Formed among the fertile Swedish metal scene in the mid '90s, these dedicated diehards brought a new sense of drama and destruction to the world of heavy music, propagating tales of Viking mythology and mortal combat over a devastating soundtrack of burdensome rhythms, refined melody and rousing, rebellious refrains. From the release of their debut anthology One time Sent From The Golden Hall in 1998, Amon Amarth'south trajectory was firmly upwards, as this band'southward devotion to touring the world and spreading their inspirational creed began to resonate with ever-growing hordes of agreeing metalheads, first across Europe and so, in true Viking style, across the Atlantic and into North America.

With each successive album, Amon Amarth's reputation grew; their arsenal of heroic hymns gaining strength and depth at the aforementioned fourth dimension. Mayhap the about significant breakthrough came with cast-fe classic Twilight Of The Thunder God in 2008, wherein the ring – vocalist Johan Hegg, guitarists Olavi Mikkonen Johan Söderberg, then drummer Fredrik Andersson and bassist Ted Lundström - seemed to perfect their formula of pulverising, fists-in-the-air anthems and shift into a college creative gear. The impact was immediate and vast, and since that moment they accept been unstoppable, as Surtur Ascension (2011) and, nigh recently, Deceiver Of The Gods (2013) consolidated that success and took Amon Amarth'south explosive and exhilarating alive show effectually the world many more times, and in front end of ever-multiplying audiences.

Once once again waking from their postal service-victory slumber, Amon Amarth are due to render with their most monstrous and spectacular anthology to date. A tour-de-forcefulness of cinematic melodic metal that combines the all-time of the genre's traditional fly with mod heft and heart, Jomsviking is a concept piece inspired by the aristocracy Viking mercenaries of its title, conceived and written by Johan Hegg and brought to life by the ring which for the recording sees drummer Tobias Gustafsson [ex-Vomitory] slotting in neatly as a special guest session drummer.

"Deceiver Of The Gods was very successful for us and we had a good run with that and did some actually great tours," says Hegg. "Fifty-fifty before nosotros changed drummers for this record nosotros had the thought to brand a concept album. It was something we'd never done earlier and information technology gave us a challenge. I started writing the story, went into information technology wholeheartedly and once you start going down that path in that location's actually no turning back."

By far their nigh ambitious project to date, Amon Amarth's tenth album unfolds like a synapse-melting multi-dimensional ballsy, with countless moments of classic metal grandeur and deathly aggression simply also a newfound mastery of atmosphere and evocative dynamics that perfectly compliment the highs, lows and furious battles of Hegg's narrative.

"It's a pretty simple story where a young man is in love with a girl but unfortunately she'south existence married off. He accidentally kills a man when this happens and he has to abscond," the frontman explains. "But he swears to have revenge and win her dorsum. He can't let go of the past. He feels that he'due south been wronged and his life has been destroyed. The story of the Jomsviking is the groundwork - it's the way he finds to go back and claim his revenge. The manner the story evolves is not a happy story… it'south a tragedy, I guess! Merely I similar sad endings, because they're the ones that affect you the most."

Veering from the thunderous attack of opening argument Starting time Kill to the victorious heavy metal sing-along of Raise Your Horns and on to the brooding drama of the closing Back On Northern Shores, Jomsviking sounds jumbo – thanks, in one case once more, to the supreme talents of producer Andy Sneap – and confirms that Amon Amarth are bigger, bolder and amend than ever before in 2016. Neither deviating from their trademark audio nor restricted by it, they accept simply evolved to the side by side level of metal might, broadening their sonic horizons while simultaneously glorying in their cherished metal influences.

"When you write an album similar this one, you're basically making music for a motion picture," says Mikkonen. "You have to follow certain moods and we had to figure out where we needed the aggressive songs or the more than mellow or deplorable moments, and and then we had to find the right ideas for that. It was hard and it was challenging, simply it was more fun! Earlier nosotros were writing typical Amon Amarth songs, but this time we felt like we had to write something different. After 10 albums you really demand a claiming. Nosotros rose to the challenge and nosotros're actually proud of what we've created."

Bolstered by the regal presence of legendary heavy metallic vocalizer Doro Pesch, who duets with Johan Hegg on the center-rending squall of A Dream That Cannot Be, Jomsviking flies the flag for authentic, blood-red-blooded and unapologetic heavy metal while skillfully borer into metalheads' unerring love for ballsy tales of heroism, struggle, love, death and glory. Obviously the finest record of their career to engagement, Amon Amarth's tenth album is certain to thrill and delight their global fanbase while the irresistible allure of Jomsviking's cinematic heart will surely draw many more people into this ring's extraordinary sonic world. This campaign will non be stopped: 2016 volition be the twelvemonth that Amon Amarth conquer the world like never earlier.

"We just want to be more than," Mikkonen concludes. "Bigger shows, more than production, everything bigger and better. I'chiliad pretty sure it's gonna be that way besides. There'due south a very good vibe in the band and I think it's gonna be one hell of a year."

"The shows are always absolutely fantastic," Hegg enthuses. "When you're onstage, performing, whether it's a festival or a club, and you lot take that connection with people and you feel that reaction to all the hard work you lot've put in, that's when y'all know that all the hardships you've experienced over the years were worth it. We are still growing. Nosotros grew with each album and nosotros were never a trend. We've never followed trends and no trend has ever followed us. Nosotros're on our ain. We practice what nosotros love. At that place are so many shows planned in 2016 that information technology's near insane, but that's what we live for."

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Source: https://www.axs.com/artists/107259/amon-amarth-tickets

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